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Behind the Red Mist
Madness Paint Ch 1
I started by envisioning this Krynsharverse, inspired by the Looney Tunes episode "Duck Amuck". This kind of concept fits perfectly with a TF sequence: erase body parts and redraw them in insane ways. Krynshar considers the transformations he makes on his victims to be his art, which would also fit perfectly for this concept.
I knew that my biggest challenge this time wouldn't be the TF itself (like thinking of how to create a muzzle in my own TF style). Here, my biggest challenge would be to crop and treat the lighting and color of each image used. Cropping images is not a very fun process, but it would need to be done several times in this Krynsharverse.
The model I chose uses a messy hairstyle, which would give me more work if I had to cut around it several times. To solve this, a cap was used for the photos (with the exception of the last TF photos).
I worry about good lighting for the photos that I use in my Krynsharverses. I always give preference to natural lighting, so I knew it would be necessary for the model to use a well-lit environment for the photos.
Another concern related to the photos would be the angle and height used. The camera needed to mimic Krynshar’s perspective: Krynshar would be standing in front of the canvas, facing it, so it wouldn’t work for the model to take the photos from a height too low or too high, as that would completely change the perspective. Of course, he would also need to be centered in the camera. The model used for this Krynsharverse doesn't have a tripod, so I told him to improvise something and... he made it happen. After testing camera height and lighting, we arrived at the best choice. That's something I appreciate about my guys. They understand my concern about the quality of my art and always find a way to get me the best material they can for my art.
This Krynsharverse doesn't exactly have a defined theme like the other Krynsharverses; instead, the TFs here just have to be crazy. The model I chose has many TF fetishes that would fit well with it. I would need the basic tools for this concept: a brush and an eraser. I could have used cropped photos of brushes and pencils from the internet, but that would limit me to certain angles, so I decided to buy these tools online, as well as a canvas and a support.
Because Krynshar transforms his victims with his Red Mist, it would make sense that his tools would work based on Red Mist as well! So I customized the tools to match Krynshar's brand colors: black and red.
Every good TF sequence needs to tell a story. The story I came up with would be Krynshar trapping a victim in a canvas and then using his Red Mist magic tools to toy with him.
Krynshar's motivations for doing this to someone are left to the imagination, but those who already know Krynshar from other stories, know that he enjoys humiliating and torturing hot sluts – he smells their perverted thoughts and locates them and then uses the Red Mist to capture them. Red Mist warps the reality of everything it touches according to Krynshar's will. In addition to turning victims into what he wants, Red Mist is also used to teleport victims, so in this story it made sense for Red Mist to teleport the victim into the canvas.
As the victim would be trapped in a canvas, the background of the images would need to refer to a canvas, so I applied a texture that resembled the canvas I bought online.
Okay, time to put it into practice! I decided to dedicate 4 pages to the capture scene. The victim is at home doing some everyday activity and Red Mist starts to invade the house. To make it more real, I added Red Mist reflections on reflective furniture.
The model was holding a book, and the book wouldn't be teleported to the canvas with the model, so I found it necessary to reconstruct the parts of the book covered by the model's hand and then lower the opacity of just the model and keep the book visible.
Page 07 is responsible for introducing you to the mechanics of how the eraser works. You immediately see that cut in the model's shirt, catching your attention in the middle of the page. Then you see those remnants of Red Mist on the edges of the cut, immediately prompting you to look at the eraser. Since it is the same size as the cut and is emanating the same Red Mist, you are led to understand that this eraser is erasing the model's clothes. I continued to take advantage of that and added remnants of Red Mist next to the things you know were recently erased, thereby adding into your mind the information that if there are remnants close to something that disappeared from the image, it's because the eraser just erased it.
I'm going to use the information you gained from that to communicate to you that something has just been erased without needing to create a page exclusively to erase that thing. For example, on page 07, I put remnants of Red Mist next to the model's wrist, indicating that the watch on the model's wrist has just been erased. On the next page, page 08, you’ll notice remnants of Red Mist next to the model's ears, indicating that his headphones have just been erased. On page 10, I use these remnants to indicate that the remaining arm of the model has just been erased. This trick is repeated on more pages ahead. You already learned how it works.
Well, you already understand intuitively that if the eraser erases, then the brush must be able to redraw. Page 11 is here to confirm for you that your understanding is right! You see the brush drawing the victim's dick, and on the next page, page 12, you see the dick completely drawn, accented with the remnants of Red Mist. Now you also understand that remnants of Red Mist next to something new that appeared means that the brush drew that. And you're ready to enjoy the crazy things to come.
After Krynshar redesigns the victim's dick, he stretches and enlarges it around the victim's body, then pulls the dick to tighten the victim's body, causing the victim's head to inflate. I worried about the texture and veins of the dick: if those details looked one way on page 13, before the dick was pulled, then on page 14 those textures and veins should move at the same proportion as the dick was pulled. It was necessary to combine many photos of the model's dick and craft a big plan where each texture and vein would be.
I had different ideas of how to represent a giant dick wrapped around a body, including which parts would be visible from Krynshar's perspective and which would not. I tried to reproduce this with a rope and even a towel so that I could better visualize the effect, but I managed to visualize it better with the help of modeling clay.
Page 29 is definitely another reference to "Duck Amuck", where Krynshar draws a silly background with a pencil.
Finally, I added the canvas texture over the victim's skin, indicating that the paint had dried and the spell was sealed. Now Krynshar's victim is eternally trapped in this canvas in this insane form. Painters often sign their artwork, and since Krynshar in this Krynsharverse is a painter, I've replaced the traditional logo at the top with a signature on the painting.
Teaser Bloopers
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